đ My Babydoll Moment: Why I Finally Designed One (and Love It)
From 1940s nightwear to 2025 runway revival, discover how the babydollâor baby dollâbecame one of fashionâs most enduring and iconic silhouettes.
Itâs surprising, even to me, that after nearly 25 years of running What Katie Did, Iâve only just designed my first babydoll. Considering how iconic the style is in vintage lingerie historyânot to mention its ever-circling return to fashionâI suppose I always had a bit of a mental block.
Let me explain.
Back in the early â90s, before What Katie Did even existed, I worked at fetish boutique Skin Two. Fridays were a ritual: my friend and SK2 colleague Fran and I would trawl the vintage stalls of Portobello Road, hunting down treasures before heading to work. It was Fran who introduced me to wearing open-bottom girdles as skirts and longline bras as outerwearâsubversive, stylish, and way ahead of the curve.
One day, standing in the shop, she looked at a babydoll and said:
âI just donât get these. They finish at the widest part of your hips and come with baggy knickersâprobably the least flattering thing you could wear.â
And that opinion lodged itself in my brain. Deeply.
So when Poppy and Belle from the WKD team asked me to design a babydoll, I hesitated. But something about the idea wouldnât let go. Maybe it was the challenge. Maybe it was the timingâbabydolls are having a huge fashion moment in 2025. Or maybe it was the undeniable fact that, love them or loathe them, babydolls have an incredible cultural history.
A Brief History of the Babydoll
The story begins, somewhat unexpectedly, in wartime. In 1942, American lingerie designer Sylvia Pedlar created the first short nightgowns in response to World War II fabric shortages. She hated the term âbabydollâ and never used itâbut the silhouette stuck.
The name came a bit later, in 1956, with the release of Elia Kazanâs scandalous film Baby Doll, based on a screenplay by Tennessee Williams. The movie starred Carroll Baker as a pouty nineteen-year-old virgin, sleeping in a crib and teasing her husband in a ruffled nightieâyes, really. The film was controversial (and yes, it definitely gives off Lolita vibes today), but it cemented the name and the look.


By the late 1950s, the babydoll had moved beyond the bedroom. CristĂłbal Balenciaga transformed the silhouette into haute couture with his âBaby Doll Dressesââstructured, trapeze-line creations that blurred the waistline entirely. Hubert de Givenchy (he and Balenciaga were close) followed suit, celebrating freedom of movement and the end of corsetry: âMy dresses are real dresses, ultra-light⌠garments that float on a body delivered from bondage.â
The 1960s saw the babydoll go fully mainstream. Models like Twiggy and actresses like Brigitte Bardot wore them as mini-dresses, while teens on Londonâs Kingâs Road shortened hemlines to extremes. Babydolls became a symbol of rebellion and youth culture.
A Garment of Contradictions
So why does the babydoll endure?
Because itâs a garment of contradictions. Itâs revealing, yet modest. Feminine, yet subversive. Nostalgic, yet continually reinvented.
In the 1990s, it returned via the grunge scene and Riot Grrrl movement, thanks to Courtney Love (Hole) and Kat Bjelland (Babes in Toyland), who made the babydoll the centerpiece of their âkinderwhoreâ aesthetic. Worn with ripped tights and smeared eyeliner, their pastel frocks became a weaponised version of innocenceâparodying the infantilisation of women while screaming punk rock on stage.
Designers like Meadham Kirchhoff and Miu Miu would later echo that contradiction, reimagining the babydoll in pastels with a dark undercurrent. Miuccia Prada even described her 2015 collection as a reaction to political conservatism: âThereâs conservatism on both the right and left⌠People look for escapes from it, attracted to strange beliefs or underground clubs and music.â In other words, the babydoll wasnât just a lookâit was a statement.
The Babydoll Comeback: SS25 and Beyond
Which brings us to now.
For Spring/Summer 2025, the babydoll is everywhere. Designers like Loewe, ChloĂŠ, Cecilie Bahnsen, Alberta Ferretti, and Emilia Wickstead have sent dreamy, ruffled versions down the runwayâeach with their own twist. Think sheer organza, oversized appliquĂŠs, structured volume, and floaty chiffon, all reinventing the babydoll for a new generation.
Itâs not just about nostalgia. These styles reflect a bigger shift happening in fashionâwhat some are calling "soft maximalism". After years of sleek minimalism and neutral basics, fashion is once again embracing femininity, emotion, and tactile joy. Babydollsâwith their childlike whimsy and grown-up sensualityâfit perfectly into that moment.
On the street, style influencers are pairing them with ballet flats, Mary Janes, and even chunky trainers. The babydoll is being worn over long-sleeve tees, under oversized coats, or styled alone in full statement mode.
Once again, it's not just a nightie. It's a look.
Babydoll by the Numbers
1942: Sylvia Pedlar creates the first short nightgowns due to wartime rationing.
1956: Carroll Baker stars in Baby Doll, giving the garment its infamous name.
1958: Balenciaga brings the babydoll to couture with lace-tiered, waistless dresses.
1990s: The babydoll resurfaces as grunge uniform via Courtney Loveâs "kinderwhore" look.
2025: The babydoll reclaims the runway, featured by at least five major fashion houses.
Designing My Babydoll
All of which brings me to the Priscilla Babydollâthe second babydoll Iâve ever designed for What Katie Did. Named after Priscilla Presley and designed with a soft early '60s influence, itâs sweet, sheer, and surprisingly flattering.
Made from powder blue georgette, it features delicate ruffles on the neckline, sleeves, and hem. Thereâs gentle shaping under the bust thanks to elastic, and cruciallyâcrucially!âit finishes just below your bum, not at mid-hip. (FranâI listened!)
Weâve styled it with matching bloomers or 1960s-style knickers, and it works equally well as nightwear or a cheeky little summer dress layered with a bra.
It doesnât just look cute in pictures (and wow, I love how the images turned out)âit feels like the right blend of vintage charm and wearable modernity. Ethically made in our main factory in India, it fits right in with the rest of the What Katie Did range: thoughtful, flattering, and timeless.
Why Now?
So why now? Why did I finally say yes to the babydoll?
Because, like fashion itself, Iâve grown. I understand now that style isnât always about flattering the body in obvious waysâitâs about how something makes you feel. The babydoll is light, itâs freeing, and it holds history in every swish of its skirt. Itâs sweet, yesâbut also rebellious, nostalgic, and even a little defiant.
I hope our Priscilla Babydoll makes you feel that way too. Whether you wear it as lingerie, sleepwear, or as a bold summer look with ballet flats and a bright red lip, itâs yours to define.
đź Youâll spot some original vintage babydoll ads and stills from the 1956 Baby Doll film woven through this post, alongside the images from our Priscilla shoot. It felt important to show how the style has evolvedâhow something once scandalous and boundary-pushing is now a nostalgic classic, reimagined with care.
And Iâd love to hear from you: whatâs your babydoll story? Do you adore them? Avoid them? Have a vintage gem tucked away or a fond memory of your first? Drop a commentâletâs get sentimental.
Links:
The Met Museum - Sylvia Pedlar
IMBD - Babydoll film (1956)
V&A Museum (London) - Cristobel Balenciaga Babydoll dress (1958)
Loevve Making of their Baby Doll dress (2025)
What Katie Did Priscilla (arriving June 2025)
Katie Thomas is the founder of What Katie Did, a vintage-inspired lingerie and fashion brand that brings mid-century glamour to modern wardrobes. When not designing new collections, she can be found hunting for vintage treasures across Somerset and beyond.
Curious to explore more vintage-inspired treasures? Our lovingly crafted lingerie and fashion collections at What Katie Did bring the elegance of yesteryear into your modern wardrobe, from perfectly structured corsets to the most delicate of intimates. Each piece tells its own story of timeless glamour.